How can you not love a book that opens with the line, “I
write this sitting in the kitchen sink.”?
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She is not always satisfied with her “captures” and vows to
work harder at her craft.
“I am aware this is not a fair portrait of him. I must
capture him again later.”
“How can one capture the pool of light in the courtyard, the
golden windows, the strange long-ago look ...?”
What glorious fodder for a writer – and what excellent
advice. I love the notion of “capturing”. Isn’t this exactly what we try to do
as writers? To capture characters, moments, feelings and places and somehow translate
them into words on the page. To capture them precisely or evocatively or
eloquently. Or originally? Uniquely?
It is also interesting to note that Smith was so anxious
about her novel that once she completed the manuscript, she worked on her
revisions for a further two years, where she wrote and rewrote every line. It
shows! The characters are so superbly drawn and deliciously quirky, the relationships
between the characters complex, authentic and true, and the voice of the
narrator doesn’t miss a beat.
For writers and aspiring writers this book is a must-read.
There are so many lessons hidden within each page. I don’t know how I have
managed to get through life without reading it before now.